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CONCERT
Concert of Electroacoustic Music of Polish, Austrian, Slovak, Hungarian, Czech and Bulgarian composers
> Ryszard Szeremeta - String play *
> Guenther Rabl - 4 skizzen
> Roman Berger - Transgressus I. *
> Laszlo Dubrovay - Concertino for digital piano and digital orchestra, piano: Laszlo Dubrovay
> Alois Pinos - Panta rhei?
> Simo Lazarov - Singing more *
* first night
IFEM '94 - organized by Centre for Electroacoustic and Computer Music Bratislava
in cooperation with Experimental Studio of Slovak Radio
supported by Ministry of Culture of Slovak Republic, KulturKontakt Austria, Slovak Music Fund,
State Cultural Fund PRO SLOVAKIA
Concept by Juraj Ďuriš, Andrej Zmeček, Rudolf Žákovský - published by CECM Bratislava 1994
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SEMINAR
ELECTROACOUSTIC MUSIC AT THE TURN OF THE CENTURY - SEEKING CONNECTIONS
at the boundary line of different cultures
at the boundary of formal thinking
at the crossroads of media
FRIDAY, NOVEMBER 4, 1994
> Francis Dhomont - Risks calculated for a mutation
> Thomas Gerwin - Some thoughts about the "unheard music"
> Guenther Rabl - Austrian Electroacoustic Music - presentation
> Simo Lazarov - Bulgarian Electronic and Computer Music Electronic Studio - Radio Sofia
> Tsvetan Dobrev, Simo Lazarov - Bulgarian Eelectroacoustic Music - presentation
> Laszlo Dubrovay - Hungarian Electroacoustic Music - presentation
> Krzysztof Szlifirski - Electroacoustic Music in Poland - presentation~
> Alois Pinos - Musica ex machina contra musicam vivam - analysis
> Witold Szalonek - Sonority And Its Form Shaping Powers - analysis
SATURDAY, NOVEMBER 5, 1994
> Jozef Malovec - The Beginnings Of Slovak Electroacoustic Music - presentation, reflection
> Berndt Berndtson - Swedish Electroacoustic Music - presentation
> Mark Rais -15 Years Of Estonian Electroacoustic Music - presentation, reflection.
> Frantisek Miko - Between The Speech And The Music - analysis
> Witold Szalonek - Sonority And Its Form Shaping Powers, vol. II. - discussion
> Rudolf Ruzicka - MUSICA NOVA '94 competition - presentation
> Nicolas Collins - STEIM Amsterdam - presentation
SUNDAY, NOVEMBER 6, 1994
> Juraj Duris - XVI. Concorso Internazionale di Luigi Russolo, Varese - presentation
> Miroslav Kaduch - Some Aspects of Development In Czech Electroacoustic and Computer Music - reflection
> Rudolf Ruzicka - MUSICA NOVA '94 competition vol. II. - presentation
> Zuzana Martinakova - Some Questions About Terminology - analysis
Spetial presentation of new CD collection of electroacoustic compositions realized in Slovakia from 1989 to 1994
and the TV documentary Music of Sounds - IFEM '92 in Castle Lounge |
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International Forum of Electroacoustic Music - IFEM '94
We have endeavoured to make this catalogue not only a collection of statements, but also an attempt on mediation of events, because in mutual connections and in the context of undocumented or nonverbal information consists their message.
The statements were presented as seminar papers in the Dolna Krupa Castle in Slovakia from 4 to 6 November, 1994. We gave the whole event - together with accompanying concert and presentations - the name: International Forum of Electroacoustic Music - IFEM '94.
The Forum has arisen from the need for communication. Centres for electroacoustic music have got long-term traditions in central Europe. However, information interchange and cooperation - if any at all - take place only in certain latent forms. This condition caused natural need to create a platform that would enable regular interchange of opinions, ideas, experiences, analyses and information from this sphere of contemporary art. The potential is sufficient for the discussion; not only in historical view but, first of all - with regard to rapid technological development, expansion of compositional possibilities and presentation techniques of musical artifacts - the present and the future are to be discussed.
Besides the papers at the seminar, pieces of Polish, Austrian, Slovak, Hungarian, Czech and Bulgarian music were presented in the opening concert. The objective of IFEM '94 was to make transparent, present and recapitulate the experience of electroacoustic music in this region, for the first time after the iron curtain breakdown.
We understand the international character of the Forum within wider than regional scope. With respect to foregoing years of mutual isolation, contacts between cultures are becoming inevitable. Therefore, personalities from worldwide had been invited to the Forum. Their participation made possible more universal comparisons, more open view of the actual state of things, more complex formal and esthetical evaluations.
Our intention is to continue in organization of the Forum in the future; to make it a constant platform for communication and cooperation, placed somewhere at the boundary of Eastern and Western cultures. The first step is completed by the edition of these proceedings.
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